Interview with Rebecca George

Le Femmes Folles, Women in Art

Republished on June 10, 2015 by Nuria Sheenan, Director of Chicago Artists Resource: ART IS AN ACTION

Labour of Love, Ink on Paper

MAY 11, 2015 with 3 NOTES        

Tags: REBECCA GEORGE. WOMAN MADE GALLERY

By: Sally Deskins

Rebecca George is exhibiting in Feminism Plural at Woman Made Gallery in Chicago, opening Friday. She generously shares with LFF about taking her career in her own hands founding The Art House, feminism in her work, stellar advice for being an artist, and much more…

Where are you from? How did you get into art?

I’m from the south side of Chicago– I’ve been interested in drawing since I can remember. I pursued it throughout high school and college, which led to teaching art as well.

Tell me about your upcoming show and why it’s important to you.

Feminism Plural at Woman Made is an opportunity to exhibit with a group of talented and innovative women artists around the subject of being a woman. In recent years, my work has explored related themes of the female body, identity, cultural conditioning and impermanence. This will be the first show I’ve participated in where all the artists are women and the work is all related somehow to being a woman.

Do you think your city is a good place for women in art? Do you show your work elsewhere/is there a difference in how your work is received?

I have found Chicago a challenging place to find opportunities as an artist, but that didn’t stop me from creating them. I founded The Art House thearthouse.us in 2012 through which I have supported a large amount of local adult visual artists in their studio and professional practice. The Art House also exhibits work and in fact, is about to begin curating its first national exhibit: Art by America. We partner with artists and other art spaces, such as Arts on Elston, to help promote artists and increase opportunities for exhibiting work.

Artist Wanda Ewing, who curated and titled the original LFF exhibit, examined the perspective of femininity and race in her work, and spoke positively of feminism, saying “yes, it is still relevant” to have exhibits and forums for women in art; does feminism play a role in your work?

In that I feel somewhat insistant about the right women have to choose not to marry and have children– cultural conditioning in many societies still look down upon unmarried women who raise animals instead of children. I represent myself struggling within myself in much of my paintings. The animals appear in that narrative as well. 

Imprint of Loss, Oil on Linen